今天晚上下班后领回来的，两个桶一个放厨余垃圾，一个放其他垃圾，大概都是20升左右。不是像英国那样的可回收和不可回收分开，但现在的分类方法大概更符合国情一些。因为拾荒的人会把“其他垃圾”中可回收和不可回收的部分分开的。而把厨余和其他垃圾分开后，不论填埋、堆肥还是焚烧都会方便一些。
这个分类系统有多有效就要看普通人愿意花多少力气分开倒垃圾了。只要我们楼下的垃圾桶是分开的，我争取每次倒垃圾都放在正确的桶里。这样应该能起一些示范作用
2010年9月5日星期日
It's just an idea
Sometimes the mass can be really untolerable: they may pay very little attention to cinemas at any other time of the year, but once they hear that the movie in question was directed by James Cameron, or Christopher Nolan, they become so worked up and so enthusiastic to watch their most recent work -- some even without knowing Alien, the Abyss, or Momento. Because of this we had some trouble getting tickets for Inception in the first week it is shown in Beijing. The watching was satisfying, yet we also feel that we were all cheated by the media to some extent. One thing for sure is that this layered movie is still straightforward, with clear indication of the level of dreams, any average audience will have no problem following the story.
On the one hand, No doubt that some of the audiences just want to watch the said-to-be-convoluted movie to enjoy the ecstasy from imagined improvement in their intelligence. On the other hand, the script is sophisticated enough for a movie with considerable potential of being interpreted in many ways and become a model that may be praised in the highest form of imitation. The execution of photography, editing and acting is almost flawless, too. However, I cannot find the shock after watching the Matrix, nor the health confusion brought by Mulholland Drive. The theme of the movie, I think, is that ideas can grow and transform people, any overinterpretation will not serve the purpose of the movie any better. Concerning the argument of whether the ending was a dream, it is just the way Nolan proves that he managed to plant the idea in the minds of the audiences, and is not in any sense the centre of the issue. Thus, there is not anything revolutionarily new suggested by the movie. If you think Nolan want to imply an endlessly layered dream, Inception would not do any better than the 13th Floor, decades after the latter's release.
Based on these reasons, I can give Inception a score of 4/5, or 90/100, meaning that it has done perfectly in almost every aspect required by a masterpiece, but have not changed the way I perceive and react to the world.
On the one hand, No doubt that some of the audiences just want to watch the said-to-be-convoluted movie to enjoy the ecstasy from imagined improvement in their intelligence. On the other hand, the script is sophisticated enough for a movie with considerable potential of being interpreted in many ways and become a model that may be praised in the highest form of imitation. The execution of photography, editing and acting is almost flawless, too. However, I cannot find the shock after watching the Matrix, nor the health confusion brought by Mulholland Drive. The theme of the movie, I think, is that ideas can grow and transform people, any overinterpretation will not serve the purpose of the movie any better. Concerning the argument of whether the ending was a dream, it is just the way Nolan proves that he managed to plant the idea in the minds of the audiences, and is not in any sense the centre of the issue. Thus, there is not anything revolutionarily new suggested by the movie. If you think Nolan want to imply an endlessly layered dream, Inception would not do any better than the 13th Floor, decades after the latter's release.
Based on these reasons, I can give Inception a score of 4/5, or 90/100, meaning that it has done perfectly in almost every aspect required by a masterpiece, but have not changed the way I perceive and react to the world.
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